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Melanie Jayne Sancho Taylor

  • About
    • Biography
    • CV
  • Exhibitions
  • Projects
  • News
  • Contact
 

Item Level

 
View fullsize Reflecting Back Through The Window. 2012 Archival Inkjet Print on Hahnemühle Photo Rag 50.91x70cm Edition of 5 + 2 Ap
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View fullsize In Between Two Places [Into Yellow Realms). 2015 (2024) Archival Pigment Print on Hahnemühle Photo Rag 70.66 x 48cm Edition of 5 + 2 Ap
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View fullsize Light, Like Where I Last Left. 2018 (2024) Archival Pigment Print on Hahnemühle Photo Rag 70x41.01cm Edition of 5 + 2 Ap
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View fullsize The Roads Gave Me Signs. 2018 (2024) Archival Pigment Print on Hahnemühle Photo Rag 70x41.01cm Edition of 5 + 2 Ap
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View fullsize Every Image Holds (the memory of...) Another Image. 2024 Compliation of Photographic Prints and Tape Dimensions Variable
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View fullsize Installation View, from ground level
View fullsize Architectural Details (With Feeling). 2016 (2024) Archival Pigment Print on Hahnemühle Photo Rag 48 x 66.33cm Edition of 5 + 2 Ap
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View fullsize The Grass is Greener, Now. 2016 (2024) Archival Inkjet Print on Hahnemühle Photo Rag 22.21x32cm. Edition of 5 + 2 Ap
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View fullsize Looking Down, Looking Back [Before I Knew it Started Here]. 2019 (2024) Archival Inkjet Print on Hahnemühle Photo Rag 49.1 x 70cm. Edition of 5 + 2 Ap
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View fullsize Deep in the Heart of It. 2015 - 2017 (2024). Archival Inkjet Print on Hahnemühle Photo Rag. 39.32x50cm Edition of 5 + 2 Ap
 

Five Walls
Melbourne - Australia
30 August – 21 September 2024

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The catalogue is an essential tool for any archive, in making its contents findable and accessible. But how does one create the descriptions and metadata for photographic material that has endless manifestations, formal and narrative connections?

Drawing on the evocative imagery from a recent section of her personal photographic archive, Melanie Jayne Sancho Taylor attempts to bring all these associations and inter-relationships to the surface, describing each image at ‘item level’ – the most detailed level of cataloguing hierarchy.

Photographs are playfully presented as a composite journey across the gallery space, enabling an unfolding set of experiences to be felt and considered. The inclusion of archival mechanisms for storing and display are integrated into the work, suggesting that order is not fixed, and that material is constantly in a state of being processed, organized, and sorted; meaning is always in flux.

‘Item Level’ presents a new approach to photographic archival description, discarding the traditional fixed, objective descriptions and exploring subjective, intuitive responses that embrace the transitory and layered nature of meaning and memory - thus creating a more accurate depiction of photography.

 
 

All text and images © Melanie Jayne Sancho Taylor 2024. Reproduction by permission only.