Viewing Room
![An Interruption [Verticle] . 2007-2010. Archival Inkjet Print on Hahnemühle Photo Rag. 112x70cm. Edition of 5 + 2 Ap.](https://images.squarespace-cdn.com/content/v1/653b1e007b44c86f809747ff/1698373202495-NL2L1YO5EMV4ERPS6BDT/melanie-jayne-taylor-ViewingRoom-1.jpg)
![The Garden Conservatory [Chiswick] 2008 [2010]. Archival Inkjet Print on Hahnemühle Photo Rag. 60x40cm. Edition of 5 + 2 Ap.](https://images.squarespace-cdn.com/content/v1/653b1e007b44c86f809747ff/1698373202512-DDR6DVEL6TRD8PMSZ35K/melanie-jayne-taylor-ViewingRoom-4.jpg)
![A Winding Path, [is] a Metaphor. 2007-2010. Archival Inkjet Print on Hahnemühle Photo Rag. 60x40cm. Edition of 5 + 2 Ap.](https://images.squarespace-cdn.com/content/v1/653b1e007b44c86f809747ff/1698373202507-GVGQWF1A0ATUH2N5DYW8/melanie-jayne-taylor-ViewingRoom-5.jpg)
![I’m Still Alive, [Still Life] 2007-2010. Archival Inkjet Print on Hahnemühle Photo Rag. 100x80cm. Edition of 5 + 2 Ap.](https://images.squarespace-cdn.com/content/v1/653b1e007b44c86f809747ff/1698373202500-GOY339TW0A8Z8H9LGZA0/melanie-jayne-taylor-ViewingRoom-6.jpg)
![The Course of Leaving [Of course I will be Leaving]. 2010. Archival Inkjet Print on Hahnemühle Photo Rag Baryta. 60x40cm.](https://images.squarespace-cdn.com/content/v1/653b1e007b44c86f809747ff/1698373202549-8R3LY9KJG46P0LVU20W1/melanie-jayne-taylor-ViewingRoom-8.jpg)
![The Course of Leaving, [Of course I will be Leaving]. 2007-2010. Archival Inkjet Print on Hahnemühle Photo Rag Baryta. 112x70cm. Edition of 5 + 2 Ap.](https://images.squarespace-cdn.com/content/v1/653b1e007b44c86f809747ff/1698373202526-27ZBK776R5O51DM26UIC/melanie-jayne-taylor-ViewingRoom-11.jpg)
![An Absence Filled The Morning. 2008 [2010]. Archival Archival Inkjet Print on Hahnemühle Photo Rag. 50x30. Edition of 5 + 2 Ap.](https://images.squarespace-cdn.com/content/v1/653b1e007b44c86f809747ff/1698373202562-Q40L9ZYUOQ2A2AOMPZQQ/melanie-jayne-taylor-ViewingRoom-12.jpg)
The exhibition presents the photographic process as a metaphor for memory. It explores the paradoxes that exist in the relationship of photgraphy and memory. While the photograph is fixed in terms of its pictorial content – its meaning is never fixed and always in a state of flux.